Niagara At Night

I’m always up for an adventure. I’ll drive anywhere, and if the weather is “bad,” that’s even better. I’m not talking about some 3 hour car ride from Chicago to somewhere else just as flat, I’m talking 14 hours in one shot. Stopping only for gas.

In 2016, I was working for a  filmmaking workshop tour. This was an educational workshop where we’d take well-known industry pros all over the country to teach their craft to aspiring filmmakers and seasoned vets alike. It was intense, we’d travel to 30 cities in 60 nights. My job was fairly straightforward. I’d drive the van full of equipment from one city to the next and help set up the gear for that days seminar. Additionally, I’d take some BTS footage and imagery, and answer any of the technical information that attendees had regarding any of the sponsored equipment we had displayed.

 After a month straight of being on tour, we had a week long break. And instead of flying out to Chicago from Bozeman, Montana, I said screw it, I’m driving to Olympic National Park and I’m getting there by sunset.


15 hours later and I was in heaven. 


What I’m getting at is, I REALLY REALLY like to drive ridiculous distances for epic photo opportunities. 

In fact, i did a stopover in Iceland last July, and in the 48 hours I was there I had driven 1756 miles. On a stick shift! And I’d never driven manual before so I watched YouTube videos and practiced in the rental car parking lot for 30 minutes or so. The first few hours was sketchy as hell. 

Anyways, back to my sister moving to Toronto. I convinced her to let me pack the Honda Pilot full of her stuff and move it into her apartment. Everything was set to go, except the weather was calling for a LOT of snow. That might deter a much more sensible person, but for me, and for a lot of landscape photographers, unique weather creates the potential for unique photographs. So I decided to drive anyway, up out of Illinois, east through Michigan, and finally across the border to Toronto. I arrived at her apartment after a lake-effect-snow-cursed 13 hour drive and fell asleep. The next morning We moved all her stuff in and I visited with my sister and her boyfriend for a while. That’s a lie, really I just pretended to listen to them while I took pictures of their most beautiful cat.  


  Eventually I parted ways with the glorious cat, and I slowly drove to Niagara. I wanted to be there for sunset, but because of some serious traffic leaving Toronto, I didn’t reach until it was dark. Still I parked and walked up to a viewpoint. I don’t know what I was expecting to see having never been to Niagara before, but the immensity and power of the falls was incredible. I knew I could spend days photographing these falls especially with the fresh snow having just fallen. There was one issue however, at night the falls are lit up with a super bright palette of all the bright colors. I guess it makes the falls cooler to viewers at night? Not for me tho, it looked like garbage on the back of my camera. I knew I’d have to wait around and hope they’d turn the lights off late at night or early in the morning for me to get some moody shots of the falls. 

My luck was good that day, and just as it started to snow hard around 11 pm, the lights went off. And that’s when it was go time. My challenge of capturing unique  shots of one of the most photographed places on the planet was about to begin. To be continued. 



Three Mind-Blowing Places to Visit This Summer Part 1: Underrated Gems

Contrary to popular belief, you don't have to leave the country in order to see some amazing places. These three gorgeous places do not disappoint when It comes to scenic beauty.

#5: Mount Shasta

No your eyes aren't lying, this is a real place. Go there. Go Now. Just start walking south from the Oregon border, you'll see it, trust me, its nearly 15,000 feet tall.

Mount Shasta as seen from Lake Siskiyou

Mount Shasta as seen from Lake Siskiyou

#4: Page, Arizona

Arizona may be known as the Grand Canyon State, and for good reason, but did you know that there's a party just as compelling near the AZ-Utah border,  just an hour and a half from the big hole thingy. 

#3: Devil's Tower, Wyoming

America's first national monument. I just got back from visiting it nested in the Wyoming Black Hills. I'm still not convinced its real.   

The Black Hills

The face of crazy horse, A7rii 120sec shutter, f13

The face of crazy horse, A7rii 120sec shutter, f13

A few years ago, Jeff Tapp told me about Crazy Horse Memorial, a sanctuary in the Black Hills that was at the top of his list of places to see. The facility is home to the construction of the largest sculpture in the world. The sculpture itself is a tribute to the great Lakota leader Crazy Horse who is one the most widely revered Native American Heroes.


On a whim, this last Sunday,  we packed up a few of our things and hopped in the car with one thing on our mind: The Black Hills. We drove over a thousand miles and finally reached the entrance to Crazy Horse Memorial to find that the entirety of the region was under a blanket of thick, unrelenting fog. The luck was not with us.

We didn't have it in our plans to stay another day as we needed to head to Wyoming that night and return back to Illinois via North Dakota the next day. We left the facility without getting a glimpse of the sacred mountain. As we drove slowly through the extremely dense fog toward Wyoming, we decided that we'd come too far to not see the memorial, and agreed to return to the Black Hills again after spending some time at Devil's Tower.

It was one of the best decisions we'd ever made. Not only were we able to see the incredible memorial, but we were also invited to take a ride up the mountain to see the face of Crazy Horse and view the incredible progress that started 68 years ago. The view from the top was not something that cannot conveyed with any number of words or images. The detail of the 87 foot tall head of Crazy Horse is remarkable, and the whole experience of Crazy Horse Memorial is unlike anything else, I can't recommend it enough.

I'll make a separate post about devils tower, but here's a sneak peak. 

The clouds finally clearing to reveal the stars 

The clouds finally clearing to reveal the stars 

Quickly Assemble and Animate a 4k Time-lapse without exporting tiffs or jpegs!

In this video I show my technique of assembling a 4k daytime time-lapse directly from a raw sequence. Additionally I show how to take advantage of the extra megapixels by  quickly creating a simple animation. 

Don't Die Taking Pictures of Sand Dunes

The Mesquite Flat Sand Dunes are amazing. Truly mesmerizing. I could spend a year there and not be bored.

Sunrise brings the largest dune, known as Star Dune, fresh drama. A7rii 900mm F8

Sunrise brings the largest dune, known as Star Dune, fresh drama. A7rii 900mm F8

However, getting  to the big dune takes a LONG time. At least an hour of trudging on unforgiving wavy sand dunes, it's definitely not for the faint of heart. Here are a few logistical tips for photographing them.


Remember, your in the fucking desert, it's trying to kill you. Water can help you not be dead. 


Rob looking cool on Star Dune. He's being absolutely blasted in the face with an unreasonably high-powered flashlight by Agustin whose just out of frame.

Rob looking cool on Star Dune. He's being absolutely blasted in the face with an unreasonably high-powered flashlight by Agustin whose just out of frame.

So you can see the big dune from your car right?

"Everything's dandy, I can just head out there alone,  I mean I just gotta walk dead straight for a few miles and I'm good." 

famous last words

As soon as you get over the first little dune, guess what?  You can't see your car anymore! And if you get too caught up shooting like I ALWAYS do,  you'll soon be disoriented and then you'll die. And it won't make for a cool obituary. "In a tragic sand dune accident... Jimmy couldn't find his way out." Everyone will just be like "Why didn't he just leave the sand?" They'll never understand. 

You can really only see your tiny lil car from the very top of star dune, so if you get lost, I guess go to the big dune and try to get un lost. 

My advice:

go with a group. Hopefully they are a sensible bunch, and you'll be less likely to be munched on by coyotes. 


I guess this ones not super related to your survival, but it's important.

Don't be that guy/girl whose completely out of batteries because you shot 8000 pictures through the night. When the epic sunrise comes, AND IT WILL  you will hate yourself. 

(My battery died directly after taking this last shot. It got way more epic but I missed it) 


Epic sunrise you missed because your an idiot. A7rii 16-35

Epic sunrise you missed because your an idiot. A7rii 16-35

That's it for now, there will definitely be a part 2 coming soon. 

Planning and Shooting the Golden Gate Bridge

Sony A7rii with Sigma 24-105 Art at 28mm 30 seconds at f/8.0 ISO 125

Sony A7rii with Sigma 24-105 Art at 28mm 30 seconds at f/8.0 ISO 125

Last year in April I made a drive from Portland to San Francisco. I had a early flight scheduled out from San Francisco to Las Vegas to shoot a music video. I drove all night and made it there a several hours before my flight. I used this opportunity to scope out a location for a sunrise shoot at the Golden Gate Bridge.

I had a few criteria when selecting a location to shoot the bridge: 

  • I wanted a perspective well below the bridge
  • It needed to be close enough to the bridge so that even if I shot really wide the bridge would still be prominent in the frame
  • Foreground elements (in this case rocks)  near the water to show motion
  • I wanted to get a few different shots, One before sunrise, where the lights of the bridge were still lit up and hopefully a nice contrast with the blue water. And Also I wanted one later on where the sun had risen a little more and that golden light illuminated the scene

I did a bit of research and found a perfect location, Marshall Beach


As luck would have it, there was an abundance of sea foam present that I focused on for the blue hour shot, as I figured the blue water would contrast nicely with the white foam. I was extremely lucky with the location of the sunrise as you can see it's sun star as it rose through the bridge. 


Sony A7rii with Sigma 24-105 Art at 33mm 10 seconds at f/10 ISO 200 Formatt-Hitech 10 Stop Firecrest Neutral Density Filter

Sony A7rii with Sigma 24-105 Art at 33mm 10 seconds at f/10 ISO 200 Formatt-Hitech 10 Stop Firecrest Neutral Density Filter

Instantly Improve Your Landscape Photography

One of the easiest and most impactful ways to instantly improve your landscape photographs is to get the camera low. I mean super low. I'll give you an example:

In this photo of half-dome which I took in late October, my camera was literally an inch away from the water. Why? 

  • it makes my foreground object (in this case the leafy log) much larger and prominent in the frame
  • allows me to establish a relationship between the foreground and background
  • the motion in the water creates a powerful leading line to the mountain in the distance.
Sunset at Half Dome from The Merced  in Yosemite National Park

Milky Way Over Death Valley

A few months ago I had the pleasure of visiting Death Valley National Park, and it was unlike any place I'd ever been. I understood immediately why the unbelievably warped terrain was deemed "amargosa chaos" years ago. It's truly an alien landscape. 

I was heading to the park from Las Vegas around 8 pm, hoping to photograph the Milky Way. Death Valley has very little light pollution and on a clear night it's one of the darkest places in the United States. 

I realized I had forgotten my flashlight and decided to pull into a Home Depot in Pahrump. I asked a gentleman if he could point me in the direction of the flashlights, he decided to show me where the lights were at. As we walked through the aisles we got to talking, and I showed him some of my photographs. As soon as he saw my style, he began telling me different locations around Death Valley to visit, he had an amazing amount of information! There was one place in particular where he thought I'd be able to get my Milky Way shot, at Dante's View. 

I purchased my light, said thanks, exchanged information with him, and headed straight for the place he had recommended. After driving up a mountain in unbelievable darkness, I turned off all my lights and after a few moments, I was greeted with the most stunning Milky Way scene I had ever scene.